By Barbara Bullard and Matthew Joyce
Taken from Mount
Shasta magazine, Fall 2004
I
remember being ready to fall asleep as the “special” music began.
Ten minutes into the wonderful music, I felt myself lifted out of my
body. Soon I soared through the deep blackness of space. Wonder and
bliss filled my being as I floated through a vortex of energy.
Immediately an awesome melody I can only describe as “music of the
spheres” embraced me with transcendent love. My soul overflowed with
healing and happiness. Tears of joy streamed down my face. For what
seemed a profound eternity I voyaged through the heart of space and
music. Eventually I gently floated back into my body on the bed.
Despite
years of incorporating music into my meditations and explorations of
consciousness, never before had I enjoyed such a rich experience.
The power of music helped me transcend the bounds of earth to
experience the levels of soul.
To
better understand the nature of my experience and the impact of
music on our lives, I turned to noted author Wayne Dyer and others
who advocate the purposeful use of music for improving our health
and gaining greater insights into our lives.
In his
book, You’ll See It When You Believe It, Dyer asks us to
consider the word “universe,” the term we use to describe the
infinite and all-encompassing expanse that surrounds us. Breaking
the word into its parts, we see “uni” meaning one and “verse”
meaning song. One Song. The entirety of all there is comprises but a
single song.[1]
Hidden
right there in plain sight is one of the most profound truths of our
existence. From ancient Hindu mystics to modern quantum physicists
the collective wisdom of humankind has repeatedly discovered that
the universe is an immense energy field vibrating on a score of
frequencies. No matter how we separate the individual notes, they
all play together to create a single harmonious song.[2]
The
Bible, so central to the beliefs of many Western cultures, tells us
that “In the beginning was the Word.” Yet many Eastern and
aboriginal cultures maintain that the world was not spoken, but,
rather, SUNG into existence. For a growing number of scientists,
their research into the impacts of music on the brain and
consciousness now favors the influence of song over speech. In fact,
quantum string theory describes our bodies, all physical matter, and
even the Earth itself, as cosmic instruments staying in tune with a
larger universal orchestra.
The
night after my first musical epiphany, I gained even more personal
experience with this concept. That second evening at the Monroe
Institute in Faber, Virginia, I listened to a second “special”
composition. This one was more serene, more earthy. Soon after the
music started I found myself walking through a lush rain forest. As
I strolled among the verdant flora and myriad animals I felt filled
with a deep sense of oneness and rapport with Mother Earth. I felt
personally compelled to do my part for her healing.
When
the experience was over I asked our group leaders, “What is that
special music that’s having such an impact on me?” They smiled and
told me it was a surprise. The answer would be revealed soon.
The
Body-Music Connection
To
grasp the widespread impact of music in general, we need only look
at the marvelous compilations gathered by the renowned musicologist
Don Campbell. His books, Music and Miracles, Music:
Physician For Times To Come, and The Mozart Effect cover
the spectrum of music’s influence on almost every aspect of the
listener’s body and mind.[3]
Virtually all of us can point to one time or another in our lives
when music impacted our emotions. Maybe it was the quiet strains of
classical music during a romantic dinner. Perhaps it was toe-tapping
rock-n-roll so compelling you just had to dance. Music plays such a
central role in our experience that no Hollywood movie dares to do
without it. To do so could be box office suicide.
According to Dr. Avram Goldstein of Stanford University, who
surveyed people to study the impacts of various emotional stimuli,
music was the single most influential factor with a “thrill rating”
of 95 percent. Second place was the thrill of sex with less than 80
percent.[4]
Because music affects the limbic area of the brain—which influences
our feelings, monitors our hormonal systems, and governs our body’s
ability to seek reward and pleasure in our lives—we can’t help but
feel the impact of music on our emotions.
But
music impacts far more than simply our feelings. It also affects our
heart-rate, body metabolism, blood pressure, muscular energy,
digestion, circulation, nutrition, fatigue, cholesterol levels, and
brain development—just to name a few of the many other bodily
elements subject to its influence. “There is scarcely a single
function of the body which cannot be affected by musical tones,”
says author David Tame, in The Secret Power of Music.[5]
German jazz
theorist Jochim Ernst Berendt had an epiphany with music that was
comparable to mine. His inspired him to research all the world’s
religions to learn how music and sound affect the brain and
consciousness. He shared his findings in The World Is Sound-
Nada Brahma, which devoted special attention to musicians who
are composing “new music of transformation.”[6]
The book became a classic within six months.
Musicians
and readers were particularly inspired by his chapter “The Temple in
the Ear,” which explores the overwhelming importance of the auditory
nerve and the influence of music and sound on consciousness and
health. In it Berendt points to radiological studies of MRIs which
demonstrate that our auditory nerve has three times as many
connections to the brain as vision does.
This becomes
important for our inner journeys because as composer Murray Schafer
states, “With our eyes we are always at the edge of the world
looking in, but with our ears the world comes to us and we are
always at the center of it.” This is why, he reflects, “Our ears are
the organ of transcendence and the gateway to the soul.”[7]
Berendt
further demonstrates in less esoteric terms how the auditory system
also connects to the thymus gland, which is our main regulator in
the fight against disease, and thereby influences the immune system.
Moreover, says Berendt, the auditory system maintains direct
connections to every organ in the body. That means that sounds
transmitted through the auditory nerve can heal the body.
“In reality
we and the universe are vibration,” says Berendt, “and the sound
that comes into our brain stimulates not only the brain, but also
the entire immune system.” That is why Campbell, Berendt and others
echo the chorus, Music and mEARicles—Yes!
Because of
the strong connection between our auditory nerves, thymus glands and
immune systems, certain types of music have proven to be a powerful
aid in healing. I experienced this first hand when I later played
some of the “special” music for one of my students, Aaron, who was
in the hospital dying of AIDS-related complications.
I took three
“special” CDs, Inner Journey, Sleeping Through the Rain,
and Cloudscapes to the hospital. I left them with Aaron’s
mother, instructing her to put on the music whenever Aaron needed
sleep or relief from pain. Days later on my second visit, I was
greeted by a nurse who asked where she could purchase the “miracle
music” for the hospice wing. The nurse said that as long as the
music was on Aaron needed no morphine.
I went into
Aaron’s room and quickly learned that this “special” music is
something more than ordinary music.
As we
talked, the music ended. Within five minutes, I noticed a ripple of
pain several inches wide spreading from Aaron’s face all the way
down to his toes.
“Is the
music off?!” he screamed.
“Yes,” I
said as I restarted the music.
“I told them
not to turn it off. It doesn’t hurt when the music is on,” Aaron
told me.
In less than
10 minutes Aaron’s pain eased.
Aaron’s
favorite “special” music was Sleeping Through The Rain. He
turned to Inner Journey to feel closer Oneness with God as he
made his final transition.
Should it be
surprising that music could have such an impact on Aaron? Or on me?
I don’t think so.
Holistic
physician and psychiatrist John Diamond, M.D., explores the
relationship between music and health in his book, The Life
Energy in Music. In it he notes that at some point 95 percent of
the population will suffer from low thymus levels and fatigue. This
low thymus activity can be instantly raised by listening to
enhancing and soothing music that mitigates the effects of everyday
stress and noxious stimuli. Diamond suggests that music can increase
T-cell production to five times normal levels, raise endorphin
levels up to 90 times, improve resistance to illness, dampen the
perception of pain, and evoke faster recovery times.[8]
As a
further testament to the healing power of music, Dr. Diamond cites
findings on the unusual longevity of classical music conductors. “At
the age of seventy, by which point 50 percent of American men are
deceased, 80 percent of conductors are not only alive, but active
and working,” he writes in Your Body Doesn’t Lie. Truly,
there is something incredibly therapeutic about music.
[9]
Music
in Our Genes
Larry Dossey,
M.D. reaches a similar conclusion in his excellent article, “The
Body as Music.” In it Dossey eloquently addresses an even deeper
level of music when he states: “Why are we moved by music? One
reason may be that the body itself is intrinsically musical, right
down to the DNA that makes up our genes.”
The idea
that DNA and music might be connected originates with the work of
Dr. Susumu Ohno, a geneticist at the Beckman Institute of the City
of Hope Hospital in Duarte, California. Dr. Ohno has notated more
than fifteen songs based on the DNA of a variety of living
organisms.
He finds
that the more evolved an organism, the more complicated the music.
The DNA of a single-cell protozoan, for example, translates into a
simple four-note repetition. But music transcribed from human
DNA––such as the body’s receptor site for insulin––is much more
complex.[10]
“Listeners
knowledgeable about classical music hear similarities between these
DNA-based compositions and the music of Bach, Brahms, Chopin, and
other great composers,” writes Dr. Ohno. “DNA melodies are majestic
and inspiring. Many persons hearing them for the first time are
moved to tears. They cannot believe that their bodies, which they
believed to be mere collections of chemicals, contain such
uplifting, inspiring harmonies––that they are musical.”
Not only can
one make music starting with DNA, it is also possible to reverse the
process. In other words, you take a piece of music and assign
nucleotides to the notes. The end result resembles a strand of DNA.
Ohno tried this with a Chopin piece and the final result resembled a
cancer gene!11
Now if music
affects us down to the level of DNA, I believe each of our organs is
singing its own song. We are healthy when our organs are singing in
harmony. We feel sick when they are singing out of tune. From my own
experiences it is clear that listening to music helps the
body stay in tune.
A
Melody a Day Keeps the Doctor Away
For optimal health, Steven Halpern, Ph.D. a foremost
creator of healing music, suggests listening to music with an
alpha/theta brainwave rhythm (alpha is 7-13 Hertz and theta is 3-7
Hertz) for a minimum of thirty minutes per day.[11]
Halpern bases this statement, in part, on
an understanding of the correlation between vibrations in the
Earth’s electromagnetic field and those of the human body. The Earth
vibrates at an inaudible frequency of approximately 8 cycles per
second. When the human body is deeply relaxed it too vibrates at
approximately 8 cycles per second. This sympathetic resonance is
known as Schumann’s Resonance, and it implies that being in harmony
with oneself and the universe may be more than a mere poetic
concept. 12
Listening to
alpha and theta frequencies as Halpern describes helps to induce a
trophotropic state, a powerful healing condition in the body. The
opposite of this state is the ergotropic state, which triggers a
fight or flight response that causes stress and fatigue. Busy
schedules and over stimulation naturally force us into ergotropic
states that eventually lead to exhaustion, sleep deprivation, and
illness. Relaxing and listening to music in the alpha/theta range
brings on a trophotropic state and helps restore balance.13
Knowing
this, the question then becomes, what kind of music supports
synchronized alpha/theta brainwave states? Since each of us is
unique and has differing needs, what feels restful and healing for
some may not be appealing to others. However, there are certain
desirable qualities in music to be used for inner work. The most
appropriate music tends to be the opposite of the kind that we play
in our cars and homes as we hustle and bustle through our busy days.
More often than not, inner space music contains no vocals since
lyrics stimulate the logic-dominant left hemisphere of the brain, as
opposed to our more creative right hemispheres. Inner music also
tends to feature slower rhythms that help our heart rates and
brainwaves to slow down. Furthermore, the musical formats are
generally harmonic with instrumentation that facilitates an
introspective or contemplative mode. The most effective musical
selections are those that permit your mind to wander gently and
enter a peaceful state of being. The soundtrack may center on the
ambience of nature, which can help you get in tune with the natural
environment, or it may feature more ethereal sounds and long moments
of silence where some say we can experience Oneness or God.
So where can
you find music like this? Fortunately, we live in an era of the
synthesizer, new instrumentation, and the internet–all of which
provide access to a cornucopia of music conducive for healing and
exploring inner realms. The best way to find something suitable is
to browse the aisles of your favorite music stores or to surf the
web. Some good places online to start include:
www.backroadsmusic.com,
www.healingmusic.org,
and www.ethereanmusic.com.
In terms of recording artists, you might want to consider works by
Aeoliah, Don Campbell, Dik Darnell, Constance Demby, Steven Halpern,
Steve Roach, Jonn Serrie, or Robin Spielberg, to name a few
perennial favorites.
However,
finding the right music is just the first step. To truly make the
most of the listening experience, we must also be willing to fully
participate in the process by surrendering to the “intent” of the
music.
Constance
Demby, a well-respected symphonic space musician, whose classic
Novus Magnificat was voted by New Age Voice as one of the 25
most influential ambient albums of all time, explains that for the
music to take you to soul levels you must be a willing participant.
She encourages listeners to participate in “frontal listening,” as
opposed to background listening. Ask to be taken to the same realms
that the music came from, she says. Open your heart, surrender, and
let the music in all the way. People can go much further when they
consciously focus on the music and surrender to it. By allowing
their minds to follow the music they are led to the Source of the
music—and its transformational power. In a sense, it means
meditating with the music.[12]
14
Therefore,
when listening to music for healing or voyages to inner and outer
space, it’s best to begin with the proper attitude. Next, sit or lie
down in a noise-free environment where you know that you will not be
disturbed for at least 45 minutes. Make sure that you’ve rid
yourself of all distractions. The best approach is to create a
sacred space where you can relax, reduce worrisome thoughts, and
minimize external stimuli. Doing so helps to open yourself to inner
visions created by the auditory nerve’s response to the music.
It’s clear
to me that I wouldn’t have had such profound experiences with music
if I had not also been in a conducive state of acceptance. At the
Monroe Institute, renowned for facilitating states of expanded
consciousness and out-of-body experiences, we were freed from all
our daily distractions—no watches, cell phones, newspapers, or
TVs—for an entire week. My colleagues and I each came with the
intention to explore the consciousness of inner and outer space. I
am certain that being in the right frame of mind helped facilitate
my transformational musical encounters.
So what
was the “special” music they played for us at the Monroe Institute?
More
than Music—Metamusic
I
eventually found out at the concluding morning session of my
weeklong professional workshop. The compositions I’d been listening
to, and those I later gave to Aaron, were what is called
Metamusic. The first evening was titled, Inner Journey,
and the second evening was Sleeping Through the Rain.
Metamusic is music that is specifically designed to
promote healing and encourage voyages to inner and outer space. The
audible musical compositions are then significantly enhanced by the
synergistic addition of Hemi-Sync brainwave signals. These
subaudible electrical sound wave patterns are blended and sequenced
to support different states of consciousness.
Hemi-Sync
works by playing slightly different tones in each ear, which then
harmonize inside your brain. To better understand, imagine playing
two notes on the piano. If played one after the other you hear the
difference between them. But when played at the same time, you hear
them in harmony. Hemi-Sync works the same way, except that since the
tones are subaudible the synchronization process occurs inside your
brain instead of outside your ear. When precisely controlled
Hemi-Sync tones are combined in the brain, the entire brain begins
to resonate. It becomes ‘entrained’ to the frequency, producing a
unique whole-brain state known as hemispheric synchronization, or
Hemi-Sync. When Hemi-Sync is added to relaxing music the result is
Metamusic.
The magic of
Hemi-Sync and Metamusic lies in its capacity to deliberately
and directly induce the trophotropic state. By recording subaudible
alpha and theta frequencies beneath the already engaging music the
Monroe Institute creates musical tools with a powerful healing
potential.
Many people first seek Metamusic
for meditation, inner exploration, or for guided imagery work.
Favorite selections among Monroe Institute enthusiasts include:
Ascension
and Higher, both by J.S. Epperson, Deep Journes y
by Steven Halpern, Inner Journey
and
The Journey Home, both by Micah Sadigh, Mystic
Realms, and
Into
the Deep
by Matthew Sigmon and Julie Anderson.
Because the Hemi-Sync tones can be
adjusted to any frequency, including the sleep inducing delta range,
Metamusic can also be used to help people with insomnia and
sleep disruptions. More than 30 million Americans suffer from
insomnia and sleep disorders. Metamusic helps a growing
number of them to drift off to sleep more readily and enjoy rapid
eye movement (REM) sleep, which is essential for good health. The
most popular titles of this type are: Midsummer Night,
by Alan Phillips, Sleeping Through the Rain, by
Matthew Sigmon and Julie Anderson, Portraits, by
Lenore Paxton and Phillip Saidi, Cloudscapes, by Ray
Dreske, Gaia by Richard Roberts, , and
Transformation, by Micah Sadigh.
Because these musical selections are
specifically designed to take listeners into deep states of
relaxation and consciousness, they should NEVER be used while
driving a car or moving vehicle.
Metamusic
is not just for inner work and healing though. By combining music
with Hemi-sync frequencies in the stimulating beta harmonic range,
it can be used to induce periods of sustained creative energy and
mental concentration. Titles such as Illuminations,
Remembrance, Einstein’s Dream, and
Indigo for Quantum Focus, all by J.S. Epperson, as well as
Seasons at Robert’s Mountain, by Scott Bucklin, and
Baroque Garden,
by the Arcangelos Chamber Ensemble were all designed to stimulate a
coherent brain state that enhances learning and peak performance.
Many of selections were created to help those with attention deficit
disorder (ADD) and other learning challenges, but they’ve proven
very popular among those who simply want to work and study smarter,
not harder. 15
Conclusion
Music is truly a bridge to good health,
and Metamusic is a marriage between the innate power of music
and the wonder of Hemi-Sync. I agree with Deepak Chopra, M.D.’s
belief that it is our duty to humanity to be as healthy as we can
possibly be. We are all ripples in a vast cosmic sea, and the
vibrations of our mental, physical, and spiritual beings affect
everything else. As Chopra says, each of us is, in effect, a wave of
sound that hums a tune throughout our lives. 16
By making conscious choices about the
types of music that we listen to we can improve our health, explore
inner realms, and enhance our creative and mental performance. As we
become healthier and happier through the use of uplifting music, so
too do our relationships with others and with the world around us.
How could it possibly be otherwise when the entire universe is
singing a single song?
To find out more about Metamusic
or the impacts of music on health and healing, visit our website at
www.dnamusic.com or Monroe Products at www.hemi-sync.com.
ABOUT THE AUTHORS:
Barbara Bullard
has been a professor at Orange Coast College for 38 years. In that
time she has been featured in Who’s Who Of America’s Teacher,
Outstanding Educators of America ,California Speech Coach of the
Year, and a five time recipient of the prestigious NISOD Teaching
Awards from the U. of Texas. She has researched music and
metamusic on the body/ mind for three decades.
Matthew Joyce
has been exploring human consciousness for more than 20 years. He is
the publisher of Higher Self Guides. He writes frequently on
self-improvement and metaphysical topics.
Bibliography and Suggested Reading
[1]
Wayne Dyer, You’ll See It When You Believe It, p.88.
[2].
Lynne McTaggart, The Field, Quill Publishing.
[3]
Don Campbell, Music and Miracles,
Music: Physician For Times To Come, and The Mozart
Effect
[4]
Avram Goldstein, Physiological
Psychology, 1980, Vol 8 (1), pp. 126-129.
[5]
David Tame, The Secret Power of
Music..
[6]
Jochim Ernst Berendt, The World Is
Sound- Nada Brahma, Destiny Books and The Third Ear.Henry
Holt & Co,
[7]
Murray
Schafer, Music Physician For Times To Come, ed. Don Campbell, ed. P. 74.
[8]
John Diamond, The Life Energy in Music
[9]
John Diamond, Your Body Doesn’t Lie
[10]
Larry Dossey, “ The Body as Music,” Music and Miracles, ed.
Campbell, pp. 55-56.
11Ibid.(For
more info on DNA Music see
www.oursounduniverse.com or www.dnamusic.com.
[12]4Constance
Demby,
www.newagevoice.com
15 For more info on
the beta-metamusic read Focusing The Whole Brain, ed. Russell,
Hampton Roads or into RemembranceMusic.com for “Metamusic:
Opening The Learning Door in the ADD Mind, Children of the New
Earth, Vol. 2, Issue 2.
16.Depak Chopra,
M.D., “Music and Vibrational Healing,” Yoga Journal, March/April
1993, p. 109.